{"id":1000060728,"date":"2025-12-16T15:05:25","date_gmt":"2025-12-16T21:05:25","guid":{"rendered":"https:\/\/cinesist.com\/?post_type=person&#038;p=1000060728"},"modified":"2025-12-16T15:05:25","modified_gmt":"2025-12-16T21:05:25","slug":"oliver-scholl","status":"publish","type":"person","link":"https:\/\/cinesist.com\/db\/person\/oliver-scholl\/","title":{"rendered":"Oliver Scholl"},"content":{"rendered":"<p>Oliver Scholl (born 1964) is a German production designer. Born in Stuttgart, Germany, he studied industrial design at the Hochschule Pforzheim and, during his student years, began illustrating for the German science-fiction series\u00a0Perry Rhodan. After this early work, he moved into motion picture design, aided by early development work for the\u00a0Stargate\u00a0project (1994) for director Roland Emmerich, which helped him transition into film production.<\/p>\n<p>Scholl relocated to Los Angeles in 1991 and made his American production-design debut on\u00a0Moon 44 (1990) and then Independence Day\u00a0(1996). His career has since spanned large-scale Hollywood features, especially in the science-fiction and action genres, working on films such as\u00a0Godzilla\u00a0(1998),\u00a0The Time Machine\u00a0(2002),\u00a0Jumper\u00a0(2008),\u00a0The Man from U.N.C.L.E.\u00a0(2015),\u00a0Suicide Squad\u00a0(2016),\u00a0Spider-Man: Homecoming\u00a0(2017), and\u00a0Venom\u00a0(2018). He has also worked on the series\u00a0Star Wars: Skeleton Crew\u00a0(2024), for which he served as a production designer, alongside Lucasfilm&#8217;s Doug Chiang.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The complete Snarkive personnel file on Oliver Scholl. Known for their work in Art, discover their full filmography, biography, and career highlights. 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